E-ISSN: 2695-1886
P-ISSN: 3517-9252
DOI: https://iigdpublishers.com/article/1096
All the great Western powers have their museums dedicated to African art. The development of museums or collections of African art in the West coincided with colonization and the rise of missionary action. Most of these collections are in fact the result of military looting, theft or illegal sales. Several voices have been raised calling for the return of this artistic heritage to Africa. But the debate on restitution is not new. Abdou Sylla, in a study devoted to the "Return and restitution of cultural property to its country of origin: objects and motifs" published in 2005 (13 years before the Sarr-Savoy report!) in the journal Ethiopiques No. 75, reminds us that the issue of return and restitution was first raised and taken up by two former Directors-General of UNESCO: first René Maheu and then Amadou Mahtar Mbow. If today the question is still being asked, it is because "we still observe that all European and North American ethnological museums, but also private collections, are full of art objects and cultural property that belonged to the formerly dominated peoples who created them".
Babacar Mbaye
CÉSAIRE Aimé, (2019). Discourse on Colonialism, Présence Africaine, Paris, 1955. DIAWARA Manthia, "Letter from Africa to Macron: Reparation rather than Restitution! "Médiapart, December 16.
DIOP Babacar Mbaye. Critique of the notion of African art, Hermann, Paris, 2018 United Nations. Resolution 42/7: Return or Restitution of Cultural Property to its Countries of Origin ", (" Forty-second session: 21 September 1987, press release GA/7612 of 29 January 1988).
SARR Felwine & Savoy Bénédicte, (2018). Restituer le patrimoine africain, Philippe Rey and Seuil.
SYLLA Abdou, (2005). "Return and Restitution of Cultural Property to its Countries of Origin: Objects and Motives", Ethiopiques n°75.
SYLLA Abdou, (2006). "Retour et restitutions des biens culturels à leur pays d'origine : difficultés et enjeux", Revue Ethiopiques, No. 76.