INTERNATIONAL JOURNAL OF ARTS, HUMANITIES AND SOCIAL SCIENCES (IJAHSS)
FROM THE MARGIN TO THE FRAMES: THE IDEOLOGY OF THE NEW-GEN MALAYALAM CINEMA
E-ISSN: 2579-048X
P-ISSN: 6774-5001
DOI: https://iigdpublishers.com/article/70
The new generation (new-gen) Malayalam films have clearly made a turn from the previous generations of films varying from the melodrama, new wave and the middlebrow films. Though there are differences in technology used as well as content, the major difference was the treatment of individuals in a modern sense. The new-gen Malayalam films were global in its representation of characters. The distinct margins were removed and the society was presented as a whole.
Arun Remesh
Althusser, L. (1971). Ideology and Ideological State Apparatuses (Notes towards an Investigation). In Lenin and philosophy and other essays: Transl. from the French by Ben Brewster (pp. 127–186). Essay, NLB.
Anthikad, S. (Director). (1987). Nadodikkattu [Film]. Casino Productions.
Antony, D. J. (Director). (2022). Jana Gana Mana [Film]. Prithviraj Productions; Magic Frames.
Apparasu, S. R. (2022, May 21). Hyderabad encounter: Panel points to discrepancies in police claim. Hindustan Times. Retrieved July 22, 2022, from https://www.hindustantimes.com/india-101653069892266.html.
Joshiy. (Director). (1993). Dhruvam [Film]. M. Mani.
