E-ISSN: 7764-9221
P-ISSN: 3442-3567
DOI: https://iigdpublishers.com/article/827
Animation production in a variety of forms, styles, materials and means of different, different styles of film. In the final analysis, what kind of form is used is directly related to the economy, science and technology, culture, politics and other aspects of the era in which it is located. Commercial films to revenue-oriented, low-cost high-yield for its purpose, in line with the public's taste for film as a starting point, to the box office as the ultimate goal, the general animated film length is longer, the production cycle is also longer, the cost is relatively large, there is a fixed mode of production and distribution and screening, once the style is determined cannot be easily altered. Television animation drama, mainly multi-episode animation drama, relative to commercial animation movie production cost is low quality is also poor, also to profit as the main goal, has its fixed production mode and process. Author's animation focuses on the expression of personal ideas and concepts, does not take the commercial market as the main purpose, and has a very different style, experimental, local, and very personal characteristic.
Christian Francis C. Prado & Yu Youzhong
Bantugan, B. (2024). Teaching Motivations of Selected Chinese Teachers Enrolled as International Graduate Students in St. Paul University Manila. International Journal of Arts and Social Science, 126-138.
Bantugan, B. (2024). Creativity of Chinese International Students in St. Paul University Manila: Before, During, and After the COVID-19. Pandemic. International Journal of Arts and Social Science,127-136.
Chen Chuanzhi, Mi Gaofeng. (2024). The Aesthetic Expression of Ecological Consciousness in Minority-themed Animation. China TV, 53-58.
Chen Chuanzhi, Mi Gaofeng (2024). Guardianship and Innovation: Exploring the Animation Path of Ethnic Minority Folk Literature in the Perspective of Intangible Cultural Heritage Revitalization. Ethnology Series, 110-117.
Li Diefei, Su Miao. (2020). Research on the creation of spatial sense of 2D animation character modeling[J]. Contemporary Animation, 96-100.