TRANSFORMING PLASTIC WASTE INTO THEATRE COSTUMES: SUSTAINABLE AESTHETICS IN THE ECO-FRIENDLY REVOLUTION

Costume design in theatre is undergoing a paradigm shift as sustainability becomes a central concern in the 21st century. Traditional costume production relies heavily on fabrics and synthetic materials, which contribute significantly to environmental degradation. This study explores the innovative use of plastic waste such as straws, crown corks, cellophane bags, water bottles, Caprisun sachets, and plastic spoons in costume design, transforming discarded materials into artistic assets. The study examines the aesthetics, functions, and environmental implications of integrating plastic waste into costume production. A qualitative methodology is employed, drawing on case studies of sustainable theatre practice, interviews with experts, and literature reviews on up-cycling in costume design. The theoretical framework is grounded in Zero Waste Theory (Connett, 2013) and Cradle-to-Cradle Theory (McDonough & Braungart, 2002), which emphasize material circularity and the elimination of waste. Findings reveal that while plastic waste presents challenges in durability, comfort, and workability, its adaptation in theatre costume design fosters innovation, raises environmental awareness, and redefines costume aesthetics. This study contributes to knowledge by repositioning the theatre as a catalyst for sustainability, demonstrating that costume waste management can merge ecological responsibility with artistic expression. It further advocates for a theatre that entertains while simultaneously educating audiences on environmental consciousness.